On the emotional life of landscape, the ambiguity of realism, and six paintings exhibited at Museums in the Castle Town and Royal Capital of Greiz At first glance, the paintings of Holger Dempwolff appear to offer recognizable worlds: snow-covered mountains, quiet lakes, expansive skies, and people gathered in familiar surroundings. Yet beneath their meticulously rendered surfaces, something more elusive begins
Helmut Spanner is widely known as an illustrator and picture-book artist, yet his Picturetalks reveal a distinctly conceptual dimension of his practice. In these works, writing itself becomes pictorial material. A selection of eight Picturetalks is currently on view at the Museums of the Castle and Residential City of Greiz (Museen der Schloss- und Residenzstadt Greiz), where the exhibition opened
Hamburg’s Pashmin Art Consortia and the Jiangjin Comprehensive Bonded Zone in Chongqing, China, jointly present an international art exhibition The exhibition brings together works by 52 artists from seven countries, including 55 European paintings and 38 works from Jiangjin. With a total exhibition value exceeding €2 million, this German–Chinese project represents a new combination of international artistic exchange, bonded cultural
From Poland to Bielefeld Martin Ryng is a Polish-born German artist who developed his artistic practice after moving to Bielefeld. Born in 1984 in Ząbkowice Śląskie, Poland, he completed his Abitur in 2003 and initially studied sociology before relocating to Germany. After a language course in Bielefeld, he entered the Fachhochschule Bielefeld in 2005 and completed a diploma in design
Introduction Christine Halloff is a Swedish artist whose practice canters on experimental watercolor and pencil. Long associated with studies, landscape, and botanical observation, the medium became increasingly autonomous through Romanticism and modernism. Halloff works within this expanded history. She does not use watercolor chiefly to describe an external scene; she allows transparency, staining, capillary movement, and unpredictability to generate the
A Life Shaped by Transformation Sonia Parchet’s art is rooted in a biography marked by movement, reinvention, and attention to the inner life. Born in France, raised in Germany, and now based in Switzerland, she worked across acting, directing, circus training, coaching, and complementary therapy before committing herself fully to painting. These fields required discipline, empathy, and responsiveness to others—qualities
Lisa Etterich is a German painter whose work moves freely between abstraction, landscape, material experimentation and spiritual reflection. Born in Dülmen, where she continues to live and work, she studied design at the “Münster University of Applied Sciences” (Fachhochschule Münster) from 1971 to 1974. She subsequently pursued art studies through the “Hamburg School of Art” (Kunstschule Hamburg) and the “Zurich
Introduction Born in 1978, Olena Linse is a Swiss artist whose paintings explore femininity, identity, sensuality and the inner life of the body. She began studying drawing and painting at a young age and later completed studies in urban planning at the Technical University of Rivne. After periods in the Czech Republic and Austria, she settled in Zurich in 2010,
Across painting, sculpture, glass, spatial intervention, education, and embodied practice, Ambro Louwe has developed an art centered on a persistent question: how does form change when it is placed under pressure? A Life Shaped by Learning Ambro Louwe’s career does not follow the familiar route from art academy to studio, gallery, and museum. Born in Beverwijk, the Netherlands, in 1947,
Introduction Kiko Morales, born Francisco Morales Muñoz in Doña Mencía, Spain, in 1996, is a contemporary figurative artist trained at the Alonso Cano Faculty of Fine Arts at the University of Granada. His practice is centred primarily on drawing on paper, combining black pen, coloured pencil, and restrained applications of acrylic. From an early stage, his work developed through a
Origins: Displacement and Identity Transformation is central to Andreas Schmidt’s artistic practice. Working mainly with discarded vinyl records, he explores memory, migration, perception, renewal, and the possibility of giving new meaning to overlooked materials. Although his work is associated with sustainability and technical innovation, its deeper source is a life shaped by displacement and cultural hybridity. Born in Kazakhstan in
Farbfelder 221 – Oil on canvas – 140 x 100cm – 2024
© Copyright of all images belongs to Yaya Bela Roth
Chongqing, China — July 30, 2026 — The 2026 Jiangjin International Painting Exhibition opens on July 30, 2026, at the Hongyi Jiuzhou International Culture and Art Center in Jiangjin District, Chongqing. Presented under the theme “Art in Bloom: New Visions for a New Audience,” the exhibition will continue through September 25, 2026. Curated by Nour Nouri and Jackie Zhang, the
© of all images belongs to Kendra Troschel Civilizations survive not only through monuments and texts, but through the stories that later generations choose to remember. Few figures embody this process more profoundly than Cyrus the Great, founder of the Achaemenid Empire and one of antiquity’s most enduring rulers. More than twenty-five centuries after his death, Cyrus remains a powerful
Ultimates from scaling as limes-εἴδη analogous to ‘minima moralia’ of World Reason (عِلْم ˁilm) –? proerga micra in relation to futuristic (mundane, prorso-) mythologisation strategies concerning the condicio noetica (Part 1) by Andreas Ehlers, Hamburg, Germany Maximisation, carried through to its pure conclusion, is not to be feared. Is not Venice the Serenissima unsurpassed: her intensification of the ‘Stato’ concept, her nómos bíou, rendered real beyond all credibility—and is not she, for all
By Nikolas van der Koelen What constitutes a work of art? Aristotle’s aperçufrom his Metaphysics XII, nóēsis noéseōs nóēsis, or “awareness [is] awareness of awareness,” allows for a surprisingly modern and profound, even refreshing view of the problem, in spite of it being the central insight in one of the most-discussed works of European philosophy. This comes in no small part
Helene Kristensen, born in 1971, is a Danish artist whose creative journey is shaped by a rich blend of cultural influences and diverse life experiences. From a young age, her passion for drawing and sketching led her to explore art classes and workshops both in Denmark and the Middle East. Kristensen’s life has been a continuous quest for balance—between the
Nowgol Mohseni’s artistic practice is rooted in rupture rather than continuity. Her work does not arise from abstract reflection on identity, but from lived experiences of exclusion, displacement, and distance from home. Born and raised in Iran, she developed as an artist within a cultural and political environment where personal expression is inseparable from social regulation. Rather than narrating this
Greiz Castle and Residence Museums (Museen der Schloss- und Residenzstadt Greiz) (Thuringia, Germany)Duration: 3 October – 22 November 2025 Curatorial TeamRainer Koch (Director, Museums Greiz)Nour Nouri (Director, Pashmin Art Consortia)Dr. Davood Khazaie (International Curator) A Living Dialogue Between Past and Present Now in its final weeks, Reflections and Resonances continues to captivate visitors in the historic halls of the Greiz
Post-Exhibition Press Release Hamburg, Germany – October 2025 — The exhibition “From Huangpu River to Elbe River” concluded this month at Pashmin Art Gallery in Hamburg, marking a milestone in the 40-year sister-city relationship between Shanghai and Hamburg. Bringing together six leading artists—Professor Li Lei, Lu Lan, and Jiang Hai Cang from Shanghai, and Natalja Nouri, Michael Knepper, and Lionel
Introduction Hélios Boechat, a Brazilian-German artist, combines a unique academic background in economics, music, and visual arts to create a rich, multidimensional body of work. He studied economics at the Universidade Federal Rural do Rio de Janeiro (UFRRJ) and Universidade Federal Fluminense (UFF) and pursued music at the Conservatory Villa-Lobos in Rio de Janeiro and in Berlin. This diverse education,
Jolanda Keeris, an artist based in Veldhoven, Netherlands, imbues her canvases with a profound sensitivity born from a personal journey. A passionate former teacher, her path shifted due to an autoimmune disease, leading her to art through a painting class suggested by her daughter. She refined her technique under Hanneke van der Zanden, while her home studio practice remained intuitive,
Kendra Troschel’s art offers a deeply personal and universal exploration of spiritual journey, memory, and presence through vivid, textured paintings inspired by profound poetic sources. Her works Sohrab’s Gondola, Sohrab’s Mother, and Journey each channel themes of escape, maternal care, and the quest for meaning, inviting viewers to engage in a contemplative dialogue on life’s passage. A Contemporary Echo: The
Karlheinz Wachsenegger, an accomplished photographer with a musical background in jazz, has embarked on a journey that combines his love of music and photography. He captures the deep connections between musicians and their instruments. His work goes beyond traditional photography and elevates musical instruments to emotional, almost human beings. A significant focus of his international activities is Germany, where his
Nadine Siebert: Art as a Mirror to the Invisible Nadine Siebert’s art is a profound exploration of the unseen layers of human existence—those hidden depths that lie beneath the surface of everyday life. Through vivid colors, dynamic forms, and bold contrasts, her work creates a bridge between the external world and the inner self, inviting viewers to embark on an
Beginnings and Artistic Career Nathalie Bopp, born March 18, 1968, is a distinguished artist whose lifelong dedication to color, form, and environmental themes has shaped a rich and evolving career. Growing up in Poitiers, France, Bopp began painting classes at age three and pursued formal art education through her teens, including rigorous training under Professor Claud Husson and attendance at
Nike Kama’s artwork invites us into a world brimming with color, emotion, and childlike wonder. Through her bold use of acrylics and a distinctive naïve style, she creates paintings that are both visually captivating and emotionally resonant. Without formal art education, Kama has forged a distinctive path, using art as a medium of self-expression, symbolism, and transformation. Since childhood, Kama
Ali Kasap, born in 1985 in Esslingen am Neckar, is an emerging contemporary artist whose work has garnered international recognition. His artistic breakthrough came in 2020 when he participated in a prestigious art event in Luxembourg, earning two awards. This success led to further international showcases, including exhibitions at an art museum in Chongqing, China, in 2021 and 2022, followed
The vernissage of “Layers of Existence” at Pashmin Art Gallery in Hamburg (January 25 – February 21, 2025) proved a compelling exploration of the human experience through art. This carefully curated exhibition showcased five distinct artists – Mikael Jensen, Jennifer Fincher, Kerstin Waitschull, J.H. Block, and Mark Müller – whose works engaged in a rich dialogue about existence, identity, perception,
Jennifer Fincher’s art is a testament to her profound connection to the natural world and her ability to translate its beauty into deeply emotional experiences. Through her oil paintings, she captures moments that balance stillness and movement, solitude and connection, the fleeting and the timeless. These thematic threads weave through her works, creating a cohesive narrative that speaks to viewers
Willem Vos’s Bird Series presents a deeply symbolic exploration of transformation, freedom, and renewal. Each bird featured in the series invites the viewer to reflect on the timeless symbolism that birds have held across cultures and literary traditions. Birds have long been associated with the ability to transcend the earthly realm, offering metaphors for the soul, freedom, and even divine
Now officially in its forty-fifth year, the Medieval and Renaissance Forum saw its beginnings at Plymouth State University in New Hampshire. From the very first, the Medieval and Renaissance Forum united all lovers of the Middle Ages and the early modern. The Forum is very much an interdisciplinary event, and historians and scholars of literature mingle with art historians, linguists,
Songzhuang Contemporary Art Archive Museum is pleased to announce the upcoming premiere of the significant exhibition “Eurovisions: A Kaleidoscope of European Art in China”. This momentous event, hosted in collaboration with the esteemed Pashmin Art Consortia, will grace our museum from May 24, 2024 to June 24, 2024. The opening ceremony took place on May 24 at 2pm. Located in
Mona Moleo emerges as a captivating figure in the art world, seamlessly blending existential introspection with the raw emotion of abstract expressionism. A serendipitous moment during homeschooling with her son led to her intense artistic exploration, dedicating long hours to her craft and experimenting with unconventional techniques and materials. Moleo’s artistry intertwines existential musings with emotional landscapes, combining precision and
Art serves as the conduit between the tangible and the abstract, the familiar and the enigmatic. Among the artists adept at navigating this delicate balance is Swiss painter Annina Laely. Her canvases, infused with the essence of nature’s fluctuations, stand as testament to the profound impact of the outdoors on her artistic expression. Drawing from extensive immersions in natural landscapes,
The exploration of Petra Schott’s artistic realm reveals a journey defined by intuitive innovation and a profound engagement with the abstract. Schott, a luminary in the German abstract painting scene, has cultivated an illustrious career that spans three decades, marked by a relentless pursuit of expressive freedom and a deep connection with the ephemeral aspects of existence. Her work stands
Exceptional Exhibition Unveils Diverse Modern Artistic Expressions 8 December 2023 – 18 February 2024 Daugavpils, Latvia – The Rothko Museum, Latvia, in collaboration with Pashmin Art Consortia, Germany, is proud to present “Kosmiki Dynami: Art as a Universal Momentum,” an extraordinary exhibition that has recently opened its doors to the public. “Kosmiki Dynami” is a celebration of art as a
In the continuum of art’s evolution, where creativity intertwines with technology, the German artist Ralph Hübschmann has masterfully sculpted a visual dialogue that bridges past and future. Titled “Evolution – The Highest Level,” this sculptural creation is not merely a work of art; it’s a conduit for philosophical contemplation, guided by the tenets of Utilitarianism and Posthumanism. As the sculpture
In the realm of contemporary art, certain visionaries distinguish themselves through their unique artistic approach. BLONDEMONKEY is one such luminary, renowned for his “pop optic art,” a classification previously presented by the writer of this essay in various Chinese and Austrian art magazines. This art encompasses three distinct genres: pop art, op art, and a harmonious blend of both. Pop
Kalchie, the enigmatic artist, possesses a unique ability to transport viewers into a world where color and mysticism converge. Her oeuvre is a profound exploration of the emotional depths that colors can plumb while simultaneously crafting visually arresting artwork. At first glance, her work may seem to elude the untrained eye, but upon closer examination, one can discern the mastery
Posthumanism, a discourse that explores the evolving nature of humanity in the face of rapid technological advancement, offers a provocative lens through which we can examine Gerd Rehme’s artistic journey. Central to posthumanism is the idea that human beings and technology are not distinct, but rather co-evolving entities. Within this paradigm, Rehme’s work becomes a vibrant interrogation of the intersections
as part of the grand exhibition ALL RIVERS FLOW TO THE SEA at Hainan Tanka Museum in China Opening Ceremony: 22 September 2023, 10 AMDuration: 22 September 2023 – 22 November 2023 In the vast tableau of Impressionist art, while some names gleam brightly, others, equally deserving, have often been relegated to the periphery. Among these unsung talents stands the
From an artistic and social point of view, this painting is undoubtedly a masterpiece by Julius Voegtli. Only very few European artists of his epoch succeeded in creating such a convincing, poignant, and politically impactful portrait of an African soldier. It is a “document of humanity,” an eloquent testimony against racism, colonialism, and war. The face of the Spahi expresses
The picture shows a bust-length portrait, done in watercolor, of a younger woman wearing what is the traditional regional folk costume of Bern – the Bernertracht or the Berner Sonntagstracht. Like many human characters drawn by Voegtli, she is looking directly at the viewer while her hair is partially covered with a black veil. In this portrait, all colors are
This watercolor painting depicts the nude figure of the artist’s wife, Anna. She is seated in profile on a bed draped in white cloth. She is leaning on her left arm and her face is turned away from the viewer; only her ear, neck, and pulledback dark hair are visible. The artist uses blue, yellow, and red elements to adddepth
Saadi’s Bostan, translated from Persian to German by Friedrich Rückert, has been published in a new edition by Wallstein Verlag. This translation, which is also known as “Duftgarten,” is one of the most beloved Persian works of literature and has been popular in Iran for centuries. The Bostan (Būstān) is a moralistic and anecdotal poem consisting of over 4,100 masnavi
“Liberty Leading the People” (French: “La Liberté guidant le people”) is a masterpiece painting that captured the essence of the French Revolution, which was a defining moment in European history. The painting is an allegory that depicts the symbolic figure of Liberty leading a group of people, with a French flag in her hand, in a march towards freedom. The
Woodall’s (1997) view in her introduction to Portraiture: Facing the Subject can be applied to Julius Voegtli as well: Physiognomic interpretation was predicated upon a “symptomatic” relationship between external appearance and an invisible, internal self which was the ultimate subject of interest. The work of Courbet, Manet and the Impressionists interrogates this presumed identification between individualized physiognomy and a distinctive,
“The Girl from Ticino” is a small-format masterpiece painted with a striking empathy. On her back, the young woman is carrying an empty wicker basket, with which she carries the harvested hay from the alpine pastures to the farm in the valley. Undoubtedly, this is hard work, especially for a slender woman, but she does not show evidence of her
Manichaeism was founded by Mani (216–274 AD) at the beginning of the Sasanian Empire (224–651 AD) and quickly spread from the Roman Empire to China. Mani believed that he was the Paraclete whose manifestation was heralded by Jesus Christ. Accordingly, he revealed the truth and instructed his disciples to write it down so that people could be guided, benefit from
Kaspar Hauser – “The Enigma of Kaspar Hauser” is a powerful film, exploring a variety of social, political, and philosophical issues. At its core, the story of a young man, Kaspar Hauser, who is found wandering the streets of Nuremberg in 1828, speaks to the struggles of those who are marginalized by society and often overlooked by the mainstream. The
Ralph Hübschmann’s beauteous wood sculpture “Evolution – the Next Level” is a captivating exploration of posthumanism, blurring the boundaries between humanity and technology with phosphorescent cords attached to a gender-less face that appears to be transitioning from nature to robot. This unique piece of art encourages viewers to consider the implications of posthumanism, and to contemplate the possibilities of a
Once again, Voegtli has painted an aquarelle, titled “Ticino Girl in the Back Courtyard.” Most likely, it’s the same young woman that he had already immortalized in “Ticino Girl” (Picture 46). This time it’s almost impossible to recognize her face; however, she again is wearing a red headscarf, a blue dress – this time with white sleeves and loose sandals.
In a pure blue sky stands strong a white mountain named Matterhorn, one of the most famous peaks of the Alps. It is, at first glance, an honorable depiction of the strength and power of the mountain which, on the one hand, goes up to the highest place in the sky and, on the other hand, is rooted deeply in
Ecophobia is defined by Estok (2011) in Ecocriticism and Shakespeare as “It denotes fear and loathing of the environment” – in much the same way that the term “homophobia” denotes fear and loathing of gays, lesbians, and bisexuals (p. 24). It is a recent term in ecology studies and defines a part of Western culture. It has its roots back
The monumental format of this painting “Golgotha” reflects the importance of the theme in the Judeo-Christian tradition. Chagall paints it in 1912, in his workshop in La Ruche, with as much energy as wisdom. Titled originally dedicated to Christ, it is exhibited that same year in Berlin’s Walden Gallery. The large dimensions of the canvas reflect the magnitude that this
The violinist invades the central space of this large painting, a format over which reigns supreme: dancing in support of the foot on the roof of a house, and around it you can see a hamlet reminiscent of Vitebsk, where Chagall spent his childhood and youth. Uprooted in Paris, the artist goes into the memories of his native Russia, to
“Umwelt” is a German word for “kingdom” or “world.” It is a biological term coined by Uexküll (1934, p. 5) to denote the world as seen by an animal. The term brought about a revolution in human culture and affected Heidegger’s criticism on Western civilization and human-centeredness. Throughout history, Western philosophy has looked at man as the center and the
There were two versions of the subject (the one not illustrated here, a wooden panel is also in Brussels, in the collection of David and Alice van Buuren; it also shows Daedalus in flight), although scholars are of the opinion that it is are two copies of a lost Bruegel original. The works have a special place in Bruegel’s oeuvre
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